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Overthrow the Circus! - Desiring (Incendiary Devices) Machines show 3Here's the third show of Desiring (Incendiary Devices) Machines. Onto doesn't join me, but Private Pipi from the Clandestine Insurgent Rebel Clown Army does and we talk about the Circus of (Im)Migration, the No Borders Camp in November, creative resistance, healing laughter and an idea to start a new Borderlands Performance Laboratory. Music by: Lady Sovereign and music from the new Entartete Kunst album!!! more info at http://entartetekunst.info The name of this show comes from the irresolvable conflict in the hosts' natures, we are machines of desire, but, for one example, it is illegal to distribute information about the production of incendiary devices. So, since this term is banned, but we desire communication, we use this term in our title. We reject the state's attempts to restrict communication and interfere with the growth of our autonomous communities. The show is about all the things we love, politics, sex, anarchism, autonomy, radical cartography, transgender experience, hiphop, ska, hacktivsm, craftivism, community building and really, realy great music.
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What is FCX? (something
What is FCX? (something tells me it's a dumb question:D)
creative resistance and responsibility
Hey there. great show. i like that you're trying to start a dialog across podcast and blog comments so here goes:
what i often think about with creative resistance and "activist" art work is its relationship to journalism or "reporting"... of course with many media forms many of the same tools get used whether you're making a documentary or a video collage, a talk radio interview show or rap music, a speech or performance art, etc... so what is the difference? the difference seems to be a certain looseness or willingness to experiment with form and formula and rules... but, the difference that comes from that is also one of a different amount of accountability... entonces, obviously there's a line there, maybe different for each "artist" and some will worry about it and some won't, but it's the line between thinking really carefully about facts and truth and correctness (in all its types), and not being so careful.
i.e. artists are a little freeer to just play and not worry to the extent that journalists worry, about getting facts and stuff right... but... when can that go too far? what are the complications and risks? what are the benefits?
i'd like you to comment on that during your next show if you could.
best wishes and keep up the good work and remember fucking is way more healthy than coffee,
steev
comment
i heard you read comments on the air, and i thought it would be romantic to write like a little love poem for my baby, then you have to read it. so here it goes
dear baby,
How come
it was so amazing
laying with you
in the living room this morning?
then I thougt it would be hilarious to write:
faffs rules 2007!
Faffs always rules.
Faffs is really hansome and really hot and really sexy.
I think faffs is really smart.
When i have a baby, i'm going to name it faffs.
I promise.
for real. I promise, i'm not just reading this comment anymore, I really really promise to name my baby faffs.
like really.
(you don't have to read this part alowed cause it's in parenthesis. And remember, you HAVE to read it over the air EXACTLY as it's written, because you said you would)
ps: favorite part of the show:
"let's fuck after that."
"Atcually, after that orgasm that you gave me this moring...I don't know, i might need a break"
"ok, let's get some coffee"